Getting to Know the Voiced and Unvoiced Phonemes

In English, we have voiced and unvoiced sounds. A voiced sound elicits vibration of the vocal cords. Unvoiced sounds do not. Instead, there is only air.

WHY IT MATTERS

Understanding the difference between voiced and unvoiced sounds can be especially helpful in identifying and differentiating between phoneme pairs that share the same mouth position but have different sounds when the voice is either turned on or turned off. For example, the sounds /b/ and /p/ are pairs; however, while /b/ is voiced, /p/ is not.

WHICH PHONEMES ARE VOICED, AND WHICH ARE UNVOICED?

All vowel sounds are voiced.

The consonant phonemes, on the other hand, fall into different categories: stops, affricates, nasals, fricatives, liquids, and glides. Many phonemes are pairs that have the same mouth position but differ in that one is unvoiced while the other is voiced.

The STOPS include these unvoiced/ voiced pairs:

  • /p/ and /b/ as in pig and bus

  • /t/ and /d/ as in top and dog

  • /k/ and /g/ as in cat and gate

The AFFRICATES include this unvoiced/ voiced pair:

  • /ch/ and /j/ as in chair and jam

The FRICATIVES include these unvoiced/ voiced pairs:

  • /f/ and /v/ as in fan and van

  • /th/ and /TH/ as in thumb and feather

  • /sh/ and /zh/ as in share and treasure

  • /s/ and /z/ as in sun and zip

  • /h/ (this phoneme has no pair, and is unvoiced) as in hat

The NASALS include all voiced phonemes:

  • /m/ as in map

  • /n/ as in net

  • /ng/ as in ring

The LIQUIDS include two voiced phonemes:

  • /r/ as in rain

  • /l/ as in lock

The GLIDES include this unvoiced/ voiced pair:

  • /wh/ and /w/ as in whale and /wind/ AND

  • /y/ (an unpaired voiced phoneme) as in yarn

HOW TO TEACH STUDENTS TO TELL THE DIFFERENCE

One of the best ways to teach the differences between unvoiced and voiced phonemes is by doing the “voice box check” trick. Take the phonemes /s/ and /z/ phonemes. /s/ is unvoiced. If you put your hand gently on your throat where the voice box is, and say the voiceless /s/ sound, there will be no vibration, just air. Try this again but with the voiced /z/ sound. There will be a noticeable vibration from the vocal cords. Give it a try and watch the kids get really into discovering the voiced and unvoiced phonemes!

The Power of Pictures in Picture Books

After sending out my last newsletter discussing the flaws of the 3 cueing system and how to implement change, I received a number  of emails asking about the role of pictures. Aren’t they important? How are they important? How can they bring meaning to the text?

Pictures should never be used to guess a word. That’s what explicit phonics instruction is for. But pictures have the ability to support reading in other powerful ways. In this post, I’m going to discuss three ways pictures are a powerful part of the reading experience.

  1. Pictures enhance comprehension. Once a word is decoded, the picture can elevate the meaning of the word. In my last newsletter I wrote about a student who couldn’t figure out the word “ferry” in a leveled reader because a) he didn’t have the phonics knowledge to do so, and b) had never been exposed to that word before, so looking at the picture didn’t even help him. Once he was given the tools to efficiently decode the word, he was able to use the picture of the ferry in the text to gain a better idea of this word’s meaning. In addition to supporting vocabulary comprehension, pictures can support other areas of comprehension, such as visualizing the story’s flow and plot structure, better understanding a character’s emotional states and reactions, and referencing inferences and predictions.

  2. Pictures add to the storyline. In some stories, pictures provide clues and information that aren’t in the text. They may show another perspective that isn’t narrated. They act as hidden features that add to the storyline.

  3. Pictures tap into readers’ imaginations. Detailed illustrations allow readers’ minds to roam — to wonder and wander, and to wish. They invite readers to exercise their imaginations. They encourage readers to ask questions that they might not have had without the visual images, and explore places they never could have imagined before.

  4. Pictures evoke emotional connections, responses, and reactions. Have you ever been pulled in by the illustrations of a book, or experienced an emotional reaction or response because of its pictures? Pictures can add a certain mood to the story.

Readers should be encouraged to interpret the pictures alongside the text - to examine, observe, notice, and question — to use the pictures as a tool to deepen their understanding and experience of the story and its characters. Next time you are introducing a reader to a picture book, make sure to save extra time for exploring the role of the pictures. Here are a few topics to discuss when reflecting on the role of pictures in books.

  • Patterns or common themes incorporated by the illustrator

  • New information that is represented in the pictures that is not conveyed in the writing

  • How the reading of the book might have been different without the pictures - would you have missed out on important information offered only through the visual component?

  • The ways in which the pictures help bring deeper understanding of the elements of the story: characters, setting, plot, etc…

  • Emotional responses or moods drawn out by the pictures

What are some of your favorite picture books, and how do their illustrations enhance the story?

STAY CONNECTED

Long U / OO Spelling Patterns

We know that the long u sound says its name. It can also say long oo. But how many ways are there to spell these long vowel sounds? Here I’ve divided up the spelling patterns by long u and long oo sounds. There are FOUR common spelling patterns that can make BOTH long u and long oo sounds, and THREE common spelling patterns for just the long oo sound.

It is worth acknowledging that in a limited number of words, the long oo sound can also be spelled as o (as in do, lose, move, prove, and to); oe (as is canoe and shoe); and ough (as in through). However, these spelling patterns are so far and few between for the long oo sound that they are not included in this chart as a main go-to for spelling patterns of this sound.

Knowing these different spelling patterns for these sounds is vital in developing phonemic awareness that will support students on their journey of becoming strong, confident, and fluent independent readers. As students move from picture-heavy readers to more text-heavy books, they need to be equipped to confidently tackle words without guessing or using pictures. Targeted phonics instruction will not only help students decode more fluently, but students who have strong decoding and fluency skills also comprehend what they read more efficiently. In this post, I list each of the spelling patterns as well as when each spelling pattern is most likely to be used.

U

Can spell the long u and long oo sounds most often at the end of a syllable. Ex: music; tulip

An exception is the single-syllable word truth.

U_E

Can spell the long u and long oo sounds when the silent final e makes the u say its name or long oo. Ex: huge; flute

EW

Can spell the long u and long oo sounds most often at the end of a base word. Ex: few; threw

UE

Can spell the long u and long oo sounds most often at the end of a base word. Ex: argue; glue

OO

Can spell the long oo sound in the middle or end of a word. Ex: pool; igloo

OU

Can spell the long oo sound in the middle of a word. Ex: soup

The exception is the word you.

UI

Can spell the long oo sound in the middle of a word. Ex: fruit

For targeted practice with the different spelling patterns of the long u and oo sounds, check out this decodable reading resource in my shop.

STAY CONNECTED

Long O Spelling Patterns

We know that the long o sound says its name. But how many ways are there to spell this long vowel sound? There are FIVE common ways to spell the long o sound. (I include 6 examples in the chart below because of the two different spelling rules — or generalizations — about the o spelling pattern.)

It is worth acknowledging that the long o sound can also be spelled as oo (as in door and floor); ou (as is soul); and ough (as in though and dough). However, these spelling patterns are so far and few between for the long o sound that they are not included in this chart as a main go-to for spelling patterns of this sound.

Knowing these different spelling patterns for this one sound is vital in developing phonemic awareness that will support students on their journey of becoming strong, confident, and fluent independent readers. As students move from picture-heavy readers to more text-heavy books, they need to be equipped to confidently tackle words without guessing or using pictures. Targeted phonics instruction will not only help students decode more fluently, but students who have strong decoding and fluency skills also comprehend what they read more efficiently. In this post, I list each of the five spelling patterns as well as when each spelling pattern is most likely to be used.

O

Can spell the long o sound at the end of a syllable or when followed by two consonants. Ex: robot; gold

O_E

Can spell the long o sound when the silent final e makes the o say its name. Ex: cone

OA

Can spell the long o sound at the beginning or in the middle of a base word. Ex: oat; coat

OE

Can spell the long o sound at the end of a word. Ex: toe

OW

Can spell the long o sound at the end of a base word. Ex: snow

Note: The placement of the ow will sometimes shift to the middle of a single syllable word when that word changes form (such as to past participle), and almost exclusively when it ends in n. Examples: grown, known, flown. The word bowl is also an exception.

For targeted practice with the different spelling patterns of the long o sound, check out this decodable reading resource in my shop.

STAY CONNECTED