The Three Types of Spelling Errors

Spelling errors are errors, right? Does the type REALLY matter? Actually, a student’s writing sample can serve as authentic data, acting as a compass to help guide us in the right direction of instruction. When we look at students’ spelling errors, we are looking at valuable pieces of information — information that has the power to inform our instruction to improve their spelling.

Let’s take a look at each of the three types of spelling errors and the information we can take away from them.

Phonological errors

Phonological errors are made when not all sounds are identified in the word the student is attempting to spell. The student is not accurately matching the correct sounds (phonemes) to the correct letters (graphemes).

In some cases, students may struggle to say the correct sounds. For example, a child may say /f/ for /th/, and words like bath or teeth become baf and teef.

In an attempt to spell much, students may confuse the CH and SH digraphs, and instead write mush.

Another example of a phonological error is writing set instead of sent or sip instead of skip, when students are not able to hear all of the sounds in the word.

When phonological errors occur, we need to focus more on phonemic and phonological awareness. We need to give segmenting and blending some more practice. We may also need to put our writers in front of mirrors to show how their mouths move when articulating each phoneme.

Orthographic errors

Orthographic errors are made when incorrect spelling patterns are used to map the sounds, but they are somewhat logical errors. They are not the result of misheard sounds. These errors may happen because the student hasn’t yet acquired the knowledge of specific spelling generalizations, or doesn’t have mastery of the specific phoneme-grapheme relationship for a specific sound they are trying to spell.

With these types of errors, a student may write klap for clap, not knowing that K and L are not blended together. (This is an example of why teaching blends can be helpful.) Other examples of orthographic errors include skool for school and kik for kick. Students who make these errors are able to hear and match each sound made with a grapheme (letter or letters), but may not have learned all of the spelling patterns for a particular sound and when to use which. Or maybe they have forgotten a specific generalization, such as when the /k/ sound immediately follows a short vowel in a single syllable word, the spelling is CK.

When orthographic errors occur, students benefit most from explicit instruction on spelling generalizations, and putting that knowledge into place with cumulative practice.

Morphological ERRORS

Morphological errors occur when the spelling error is with inflectional and derivational endings. These errors indicate the need to focus on how these endings connect with meaning.

An example of a morphological spelling error is spelling catz instead of cats. Students know they want to convey that there is more than one cat, but they hear /z/, and therefore spell the word with a Z.

In this scenario, students can be taught that the letter S is a plural suffix which can sound like either /s/ or /z/, but that when students are conveying that a noun is plural — more than one — it will always be S. To expand on this suffix, the different plural endings can be taught — S, ES, and IES.

The same is true for an error such as washt for washed. The past tense is intended here, but students may not have yet been explicitly taught that whether the ending sound is /id/, /d/, or /t/, it is always spelled ED.

Other examples of morphological spelling errors include helpfull for helpful and vacashun for vacation.

When morphological errors occur, students are ready for explicit instruction on the different suffixes.

When we use our students’ writing samples to inform our instruction, we are using authentic data to drive instruction. When we can break down the types of errors our students are making, we can address the gaps quicker.

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Cursive: Vital or Obsolete?

A little cursive history

Cursive — an art, a skill, a necessary piece of knowledge…or is it obsolete? Once upon a time, it was expected that all students would acquire the skills to write and read cursive. It was the norm. The history of learning cursive dates back to when the quill was the only writing implement available. Quills are fragile, and cursive allowed for steady hand movements that protected the quill by not having to be lifted on and off the paper frequently. Aside from preserving the quill, ink would splatter more readily causing a mess. In 1827 the quill was slowly phased out with the invention and patent of the fountain pen — less fragile than a quill, but still having the potential to cause an inky mess. Later in the 19th century, the first ballpoint pen received its patent. This was a game changer.

The ballpoint pen was a turning point because it allowed people to write quicker and more legibly without having to continuously dip their pens in ink. This was especially important for students taking notes. Cursive remained a speedier and more formal handwriting method. However, while cursive was still a much more efficient way to produce letters, ballpoint pens didn’t require the speed of cursive writing, and it slowly began to fall out of favor.

the present day

At some point, an idea developed that children should start out their formal education by forming letters the way they read them in books. They could learn cursive later on, after block print had been established. We have now turned a corner with the access nearly all students have to word processing devices. Many schools have done away with cursive, moving students to the keyboard. But are these students missing out on an important skill?

In her extensively researched book (affiliate link) The Two-Digit Revolution, Celia Batan explores the ways in which cursive influences brain development and learning. She writes, “It shapes the executive functions of the brain for successful academic performance while enhancing creative and critical thinking practices required for meaningful interpretations of what we see.” She also points out some other problems cursive solve that may persist for students such as letter reversal and improper spacing.

one skill, different impacts

The year I taught in a third grade classroom I worked with a teacher who created cursive licenses for students as they completed a cursive program that culminated in a cursive test. The license was almost like a replica of a drivers license, complete with each student’s picture and signature. After it was laminated, students proudly put their cursive licenses in their wallets, right next to their bus passes and MetroCards. (We lived in New York City.) That license was a third grade rite of passage. For many students, cursive was a confidence builder. It gave them another skill they could feel proud of. But there were several students for whom cursive had an even greater impact.

Student #1: The Student with Illegible Handwriting

One of my students struggled immensely with his fine motor skills. His handwriting was evidence. Poor letter formation, letters too large for the lines, and improper spacing, all of which made his writing look illegible. Worst of all, he was embarrassed because he often struggled to read his own writing, and so did others. Handwriting was physically challenging for him even after years of occupational therapy. He dreaded the idea of learning cursive. Instead, he was in for quite the pleasant surprise. Cursive was not only easier, but his handwriting became more legible. And he enjoyed it. Having a swift and constant flow without having to repeatedly lift up his pencil made things a whole lot easier. This wasn’t the case for every student, but it made a difference for this boy.

Student #2: The Artist

Cursive is not just a means of communication. It’s a form of art. Many may not agree, but one of my very artistic students sure did! She saw this newfound skill as a way to enhance her art work.

Student #3: The Budding Historian

Over a school break, one of my students and his family went to Washington, DC. When he returned, he couldn’t stop raving about his trip and all of the sites and museums he visited. The highlight of it all? When he exclaimed, “I learned cursive just in time to read some old letters in one of the museums, and a little bit of the Constitution!”

STUDENT #4: The Traveler

Cursive is required for something as mundane as singing your name on identification. Sure, you can teach a child how to write and connect only the letters in their name. But it’s a splinter skill. A skill that can only be used when signing one’s name. The student is not actually learning how to write in cursive — how to form and connect letters, and to read what others write. One student was preparing for an international trip, and upon receiving her first passport, was thrilled to share that she was able to sign her name because “I just knew how to write the letters together!”

Student #5: The Pen Pal

Upon receiving her cursive license, a student was beaming from ear to ear. “You know, my grandmother will ONLY write me letters in cursive! Now, not only will I be able to read them, but I can write her back too!” The ability for this child to write and read in cursive, gave her membership to a special club in which she could bond with her grandmother in a way she had never been able to before.

Cursive enriched the lives of these students in important ways. While cursive was essential for practical reasons centuries ago, it is essential in different ways today. Do you teach or plan to teach cursive to a young learner?

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Getting to Know the Voiced and Unvoiced Phonemes

In English, we have voiced and unvoiced sounds. A voiced sound elicits vibration of the vocal cords. Unvoiced sounds do not. Instead, there is only air.

WHY IT MATTERS

Understanding the difference between voiced and unvoiced sounds can be especially helpful in identifying and differentiating between phoneme pairs that share the same mouth position but have different sounds when the voice is either turned on or turned off. For example, the sounds /b/ and /p/ are pairs; however, while /b/ is voiced, /p/ is not.

WHICH PHONEMES ARE VOICED, AND WHICH ARE UNVOICED?

All vowel sounds are voiced.

The consonant phonemes, on the other hand, fall into different categories: stops, affricates, nasals, fricatives, liquids, and glides. Many phonemes are pairs that have the same mouth position but differ in that one is unvoiced while the other is voiced.

The STOPS include these unvoiced/ voiced pairs:

  • /p/ and /b/ as in pig and bus

  • /t/ and /d/ as in top and dog

  • /k/ and /g/ as in cat and gate

The AFFRICATES include this unvoiced/ voiced pair:

  • /ch/ and /j/ as in chair and jam

The FRICATIVES include these unvoiced/ voiced pairs:

  • /f/ and /v/ as in fan and van

  • /th/ and /TH/ as in thumb and feather

  • /sh/ and /zh/ as in share and treasure

  • /s/ and /z/ as in sun and zip

  • /h/ (this phoneme has no pair, and is unvoiced) as in hat

The NASALS include all voiced phonemes:

  • /m/ as in map

  • /n/ as in net

  • /ng/ as in ring

The LIQUIDS include two voiced phonemes:

  • /r/ as in rain

  • /l/ as in lock

The GLIDES include this unvoiced/ voiced pair:

  • /wh/ and /w/ as in whale and /wind/ AND

  • /y/ (an unpaired voiced phoneme) as in yarn

HOW TO TEACH STUDENTS TO TELL THE DIFFERENCE

One of the best ways to teach the differences between unvoiced and voiced phonemes is by doing the “voice box check” trick. Take the phonemes /s/ and /z/ phonemes. /s/ is unvoiced. If you put your hand gently on your throat where the voice box is, and say the voiceless /s/ sound, there will be no vibration, just air. Try this again but with the voiced /z/ sound. There will be a noticeable vibration from the vocal cords. Give it a try and watch the kids get really into discovering the voiced and unvoiced phonemes!

Making Sense of the Silent Final E

The silent final E may sometimes cause quite the conundrum. WHY is that E there? English makes no sense! Right? Well, that final silent E wears quite a few hats, and I’m going to use this post to explain those hats in a way that makes sense. 

  1.  It makes the vowel say its name.

    This is the most commonly known reason as to why the silent final E exists. It makes the vowel immediately preceding the consonant(s) before the E say its long vowel sound. When you add an E to the end of the word tap, you get tape.

    More examples: cap + E = cape; kit + E + kite; & past + E + paste

  2. Every syllable must have a written vowel — even if it cannot be heard.

    Would you write the word puzzl ? No way! It would be puzzle, with a silent final E. That’s because the word puzzle is two syllables: puz-zle, and if that silent final E were missing, there would be no written vowel in the second syllable.

    More examples: little (lit-tle); pickle (pick-le); & giggle (gig-gle)

  3. C and G can soften to /s/ and /j/ when followed by an E (I or Y, too).

    Have you ever noticed that when you add a silent final E to the word hug to make huge, the short U transforms to a long U, but the sound of the G changes from a /g/ to a /j/? This is because when a G (or C) comes before an E, I, or Y, the sound can soften.

    More examples: practice & garage

    (In these examples, see how the same letter can appear twice in the same word, but because of the silent final E, the second time the same letter appears, it is pronounced differently.)

  4. English language words do not end in I, J, U, or V.

    If you’re like me, you are trying very hard right about now to think of any and all exceptions that you can. “What about hi, flu, sushi, and ski ?” you may ask. Hi and flu are abbreviations for hello and influenza. Sushi is a Japanese word and ski is Norwegian. The true exceptions are the pronouns I and you.

More examples: olive, tie, & blue.

I hope that these examples of the many hats that silent final E wears make at least one part of the English language seem a bit less illogical. When these general rules of thumb are better understood, the English language will seem just a bit less confusing!

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